Schau mich nicht an. Er suche nicht nach Extremen, sagt Miron Zownir. Aber er geht seit Langem dorthin, wo es Grenzgänger einzieht. Sein Archiv reicht von den Berliner Punks der 80er Jahre bis zu den Außenseitern der Gegenwart.
In his upcoming solo exhibition ‘City landscapes’ Miron Zwonir, celebrated international documentary photographer, will put his usual focus into the background. Social outcasts, by choice or through disadvantage, are now only incidental subjects in the frying pan of a harsh metropolis bursting at the seams.
A retrospective of the late image-maker’s arresting photography has arrived in Europe, at Cologne’s Galerie Bene Taschen. Arlene Gottfried would often describe her photographic practice as “a life of wandering”. Born and raised in Coney Island in 1950 and then Crown Heights, Gottfried was interested in the people of New York and Brooklyn and felt compelled to document them for most of her life (when she died in 2017, she left behind some 15,000 photographs).
Fearless Miron Zownir was arrested, beaten with baseball bats and even shot at – but still managed to capture striking images of the Big Apple’s very rotten core.
These startling black-and-white pictures show the gritty reality of New York City in the 1980s. Photographer Miron Zownir captured the city’s seedy underbelly after years of decline left the streets infested with crime and drugs, long before gentrification and globalization took hold.
A new exhibition, Arlene Gottfried: Retrospective (1950-2017), opening June 29, celebrates the extraordinary woman who stayed true to the city of her birth. Hailing from Coney Island, Gottfried came of age in Crown Heights, Brooklyn during the era of white flight, creating a profound sense of empathy and connection to those who have been systemically marginalized, if not outright erased.
Realist photo gallery Galerie Bene Taschen in Cologne, Germany hosts a major European retrospective for New York photographer Arlene Gottfried.
Jeff Mermelstein, one of the most prolific and widely acclaimed street photographers working in the United States today, was displaced by the multibillion-dollar complex that’s home to the Brooklyn Nets. You’d be right to think that this didn’t sit all that well with him. A little over a decade before the complex — which would include the Barclays Center — was built, Mermelstein and his wife had just bought a home that would have to come down to make way for all of it. But what many would take for defeat, Mermelstein found a way to make work for him.
Die Galerie Bene Taschen in Köln zeigt noch bu zum 15. Juni eine Ausstellung mit Fotografien des berühmten Jazz-Fotografen William Claxton. Anne Kotzan stellt uns seinen Werdegang vor und berichtet von Claxtons legendärer „Jazz-Odyssee“ durch die USA zusammen mit dem deutschen Jazz-Produzenten und -journalisten Joachim-Ernst Berendt.
The ancient lemon house of the Palace of Venaria Reale, next to Turin, will be hosting an amazing exhibition dedicated toDavid LaChapelle from June 13th to January 2020. David LaChapelle made his name by shooting celebrities colliding with consumer detritus: baubles, flowers, and fame recombining in delirious explosions of color.