Black and white or color, portrait or landscape, not real constraints during this stroll thru Paris Photos but heart-throbs and emotions in front of photographs that impose themselves, Gordon Parks, Dave Heath, Robert Frank , exchanges with gallerists and the discovery of the worlds of Bruce Wrighton and Jamel Shabazz and the meeting of artists Laura Henno and Adrien Boyer. – Florence Bachelot
Die Galerie Bene Taschen, Köln, zeigt ab dem 8. Dezember 2018 die Ausstellung City Metro des New Yorker Fotografen Jamel Shabazz (*1960 in Brooklyn).
Jamel Shabazz bei Bene Taschen.
Berlin hat wieder eine Messe für Zeitgenossen und Moderne. Das ist nach Jahren der Selbstdemontage, des überflüssigen Kokettierens mit Namen und Formaten eine gute Nachricht.
Why do some fashion photographs transcend their commercial character to function as works of art, while others do not? In part, the answer lies in the ability of a fashion photograph to reflect two or more worlds: the perfect world inside the frame—where youth, beauty, and luxury reign supreme—and the harsh realities of the world outside it. The best fashion photographs remind us of other works of art or expand the boundaries of the genre, redefining what a fashion photograph is supposed to do, or be.
This selection of photographs by American photographers Arlene Gottfried, Jamel Shabazz, and German photographer Miron Zownir, focus on the theme of New York in the 1980s. Through black and white, as well as colored photographs, the three photographers provide viewers with insights on the different milieus of the city. Each with their own perspectives of the megapolis, they document the…
Seit den Achtzigerjahren dokumentiert Fotograf Jamel Shabazz die Lebensumstände in schwarzen Communities der USA. Er sagt: „In Amerika herrscht ein neuer Bürgerkrieg.“
Jamel Shabazz: Crossing 125th is a selection of images by the acclaimed Brooklyn-born street photographer, who has been documenting African-American life since the 1980s.
As a young man growing up in Brooklyn’s Flatbush neighbourhood, Jamel Shabazz witnessed some of the most monumental occasions in recent American history: the civil rights movement, the Vietnam War, the birth of hip hop and later, the crack epidemic that took the lives of several of his subjects. At 15, Shabazz learned from his father how to bear that witness from behind the camera, a skill that led him to capture the iconic images in “Reflections from the 80s” now on display at the Hardhitta Gallery in Cologne, Germany.
Who? Born in 1960, American photographer Jamel Shabazz was raised on the streets of Red Hook, Brooklyn in the midst of the civil rights movement and the Vietnam war. He was frequently exposed to violent and disturbing imagery during his formative years, but at the age of 15 discovered a means of escapism when he picked up a camera and began to document his own view of the world.